I use photography to explore themes of solitude and the relationship between human presence and the natural world. My work focuses on quiet moments and subtle transitions, emphasizing suspension and stillness rather than overt narrative.
I primarily work in digital photography using natural light, and process with minimal intervention.
With an early foundation in photography during secondary school, I returned to the medium after a long hiatus. This renewed practice builds on the formal elements learned in the darkroom and continues to influence my attention to tone, composition, and attention to detail,
In the spaces I photograph, there’s a slow, persistent negotiation between human systems and the environments they inhabit. Nature seeps into built spaces — through cracks, rust, overgrowth — while architecture pushes outward, carving into the land. Even in more overtly human scenes, the same dynamic is at play: bodies drift, pause, lean, or wait in spaces not entirely theirs. Airports, sidewalks, waiting rooms — these are sites of temporary order and ambient tension, where movement is constant but purpose feels suspended. I’m drawn to these thresholds, where materials fray, intentions blur, and time becomes visible through wear, posture, and the architecture of in-between states.